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16th Annual BPPFF - AMERICAN JUSTICE ON TRIAL: PEOPLE vs. NEWTON

  • Maysles 343 Malcolm X Boulevard New York, NY, 10027 United States (map)

IN CINEMA

16th Annual Black Panther Party Film Festival
AMERICAN JUSTICE ON TRIAL: PEOPLE vs. NEWTON
Friday, September 27th at 7PM
Tickets: $15 General Admission/ $7 Reduced Price 

Presented with the Black Panther Party Commemoration Committee

Andrew Abrahams & Herb Ferrette, 2022, 40 min.

The film tells the forgotten story of the death penalty case that put racism on trial in a U.S. courtroom in the fall of 1968. Huey P. Newton, Black Panther Party co-founder, was accused of killing a white policeman and wounding another after a pre-dawn car stop in Oakland. Newton himself suffered a near-fatal wound. As the trial neared its end, J. Edgar Hoover branded the Black Panthers the greatest internal threat to American security. Earlier that year, the assassinations of Martin Luther King and Robert F. Kennedy rocked a nation already bitterly divided over the Vietnam War. As the jury deliberated Newton’s fate, America was a tinderbox waiting to explode.

At his trial, Newton and his maverick defense team led by Charles Garry and his then rare female co-counsel Fay Stender, defended the Panthers as a response to 400 years of racism and accused the policemen of racial profiling, insisting Newton had only acted in self-defense. Their unprecedented challenges to structural racism in the jury selection process were revolutionary and risky. If the Newton jury came back with the widely expected first degree murder verdict against the charismatic black militant, Newton would have faced the death penalty and national riots were anticipated. But Newton’s defense team redefined a “jury of one’s peers,” and a groundbreaking diverse jury headed by pioneering Black foreman David Harper delivered a shocking verdict that still reverberates today.

Preceded by short film, Free the Panther 21.

Post-screening discussion with Lise Pearlman (Zoom) and Black Panther Veterans.

“The trial changed the way jury selection is conducted across America. The film itself is history-making.” — Matthew Carey, Deadline